Remains

Reimagining waste materials from Tokyo as vernacular materials

東京で出た廃材を土着の素材と見立てる

Remains is a research project that attempts to reconstruct our problematic and overly complex relationship with materials. As part of we+'s research project, "Urban Origin", we focus on Tokyo as a source of used materials and return to the origin of the relationship between humans and materials - “using vernacular materials and treating them simply with our own hands". Through this approach, we explore the potential value of waste that is difficult to recycle and often sent to landfills.

Remainsは、不適切かつ複雑になりすぎてしまった人間と素材の関係の再構築を試みるリサーチプロジェクトです。we+のリサーチプロジェクト「Urban Origin」の一環として取り組んでいます。東京を、使用済み素材の原産地と見立て、「土着の素材を使って、自分たちの手でシンプルに加工する」という、人間と素材の関係の原点に立ち戻ることで、再生利用が難しく、埋め立てに回されてしまう廃棄物の新たな価値を探っています。

Composite waste that are difficult to recycle

再生利用が困難な混合廃棄物

In Japan, the recycling rate of industrial waste is projected to be around 53% in 2020. There are still significant amounts of residual waste such as glass, ceramics, concrete and debris, that are challenging to sort by material type, along with composite waste, that is hard to dissolve due to its complex structure. Such waste exceeds 9 million tonnes and is sent to landfills.

2020年度の日本の産業廃棄物の再生利用率は53%程度。素材別の回収が難しいガラスくず・陶磁器くず・コンクリートくずやがれき類といった細かなゴミ、異素材が複雑に絡み合って分解が難しい混合廃棄物は、再生利用のルートにのせることができず、埋め立てに回されており、その量は900万トンを超えています。

One possible scenario for humanity in the far future, as a geological stratum

遠い未来の人類が、地層として見るかもしれない景色

In industrial waste recycling plants in the suburbs of Tokyo, the leftover composite materials and debris from the sorting and collecting of recyclable materials, are placed in landfills. However, when these materials are further milled, mixed and heated together in a kiln, the glass waste can act as an adhesive to create new material. The expression could be described as the geological stratum of the Anthropocene era, representing what perhaps humans in the far future will discover when they excavate what today’s humans have sent to the landfills.

東京近郊の産業廃棄物リサイクル処理プラントにおいて、再生利用可能な素材が選別・回収された後に残り、埋め立てに回されてしまう細かいくずや瓦礫を回収。それらをさらに細かく粉砕し、混ぜ合わせて窯で焼成すると、ガラスくずが接着剤の役割を果たし、新たな素材として生まれ変わります。その表情は、現代人が埋め立てたものを、遠い未来の人類が掘り起こした際に見るであろう、人新世の地層そのものと言えるかもしれません。

Year
2023
Category
写真
林雅之
Photo
Masayuki Hayashi
  • Remains